Considering We Own The Night

We Own the Night takes place in drug plagued late 80’s New York City.  It is the story of a father and his two sons.  To say there are dad issues in this movie is quite the understatement.  I was reminded of the story of the Prodigal Son(s).  Joaquin Phoenix plays Bobby, the son of the Police Chief (played by Robert Duvall) who takes the last name of his late mother.  He avoids the Police Department and ends up running a night club.  He also avoids his family since he is a big disappointment to his father.  He finds a substitute in the club owner, a Russian who imports fur.  He is like family to the Russian and his family.  The man’s wife tries to fatten him up and treats him like the son she never had.

Mark Wahlberg plays the obedient, trusted son Joseph.  He joined the Police Department and has risen to the rank of Captain.  He is angry at his brother for leaving home and the family business.  Bobby is angry at him for messing up the good thing he thinks he has going, and the condemnation he feels.

Tensions heighten because Joe is the head of the new drug task force.  He and his father inform Bobby that the owner’s nephew is a Russian mobster dealing drugs out of the club.  Soon Bobby will have to choose between his real family and the family he thinks he loves- the one that tolerates and supports his very indulgent lifestyle.

What emerges is an average cop drama with a fantastic performance by Joaquin.  Not all that happens makes sense, particularly during the car chase.  The ending seems a bit under-whelming as well.  The most interesting aspect of the movie was the family relationships as Bobby comes home seeking redemption.  Like Jesus’ story of the Prodigal, the ‘stay-at-home’ brother resents the welcome home the licentious brother receives.  Only time reveals Joseph’s true motivations for the “righteous” life he led.  Funny how we just can’t escape Christ’s teaching, no matter how hard we try.

The movie starts off with more Eva Mendes than I needed to see, and some topless dancers.  After about 5 minutes the nudity is done.  Being a crime drama, there is plenty of bad language.  Though there is plenty of action, it is not graphic- except for a fight in an apartment.

Unfortunately this movie has had much better competition in this genre (American Gangster, The Departed).  We Own the Night doesn’t own the genre, but makes a respectable showing.

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Considering American Gangster

I expected more from American Gangster.  It stars two first-rate actors, and personal favorites, in Denzel Washington and Russell Crowe.  It is directed by Ridley Scott.  The acting and direction were very good.  The story was interesting too.  So, I’m not quite sure why I’m not content, or as content, with this movie.  Perhaps my expectations were too high.  Perhaps it was that the story takes place over such a long period of time, but offers no time line to better understand its development.  And I thought it would have more action.

It is the story of 2 men whose lives intersect, and are very similar.  Denzel plays Frank Lucas, a body guard for a Harlem mob boss.  He watches his boss, and after his death decides to step into his shoes as the neighborhood’s beneficent dictator.  He must remove some competition, and convince the Italians that he is their equal.  His is a story of dogged determination and perseverence.  He had a good head for business, but decided to use his abilities for evil instead of good.  But he justifies it based on the good he does for his family (whom he’s brought up from NC to work for him) and the community.

Russell Crowe is Ritchie Roberts, a clean cop who also displays dogged determination and perseverence.  As head of a drug task force, he hunts Lucas for years.  In the meantime, he passes his bar exam.  He cares about his son, but has trouble relationally.  He’s a womanizer, so his wife left him.  One of the subplots is the fight for custody of his son.  Since he refuses to take any bribe money or steal evidence, he drives a beat up junker through most of the movie.  It is his conflict with his wife that opens up one of the most amazing lines of dialogue.

“Don’t punish me for being honest.  Don’t take my boy.”

“You don’t take money for one reason: to buy being dishonest about everything else. … You think you’re going to heaven because you’re honest, but you’re not.  You’re going to the same hell as the crooked cops you can’t stand!”

Wow!  What an apt description of how self-righteousness functions in our lives.  We narrow God’s law down to a few things- in this case being a clean cop.  As long as we do that- we are righteous in our own eyes.  We neglect the rest of God’s commands which would condemn us, and use the ones we keep to condemn others.  He blinds himself to just how messed up he really is, and feels a martyr for suffering for his one area of obedience.  This is a great window into our souls!

Those crooked cops stand between the men for years.  Lucas hates the fact that he has to pay them off.  In another great line of thought I couldn’t find again to copy- he compares their love of money to an addict.  The crooked cops (and the hangers on in his life) can’t get enough- they are just as addicted.  Another great window to our souls!  They also hinder Roberts’ efforts to bring Lucas down.  When Roberts get the goods on Lucas, he uses him to bring them down.

The movie ends with Lucas getting out of prison to be met by Roberts who is now his lawyer.  Oh, the irony of it all.  Roberts is essentially on the take as a defense attorney, but probably sees himself as defending men from the crooked cops.  He, too, is now addicted to money.

American Gangster is what you’d expect of a gangster movie- plenty of bad language, shocking violence and a bit of nudity.  But as a morality play, it does offer us some insight into human behavior.  As a morality play, it doesn’t offer us insight into how to change and be free of our self-centeredness and addictions.

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