I remember sitting in the movie theater when I was 13, watching the trailer: “In space no one can hear you scream.” What a line! I had to see that movie. A legendary series that saved the movie studio was born. Ripley was the heroine, a strong woman in a world of men fighting the perfect killing machine. But she wasn’t just fighting the Alien, she was fighting “the company” who mysteriously knew about this creature and wanted to use it for military purposes.
Though the first two movies were very different (Ridley Scott’s was a suspenseful horror film that slowly turned up the tension while James Cameron directed a non-stop action movie) but both were successful. The two that followed lacked a strong hand at the helm. The third, suffering from numerous re-writes and directorial changes. Its confusing vision resulted in the worst David Fincher movie every. One thing it did reveal was that the Alien borrowed some DNA from its host during incubation. The series, like the original Jurassic Park, struggled with the tendency to separate science from ethics. The pursuit of how or if blinded humanity to whether it should be done.
There was really no where for the franchise to go after Alien Resurrection, unless you wanted Earth to become extinct. Enter Ridley Scott and the decision to go back instead of forward.
He began with Prometheus whose main characters were Dr. Elizabeth Shaw and a synthetic named David. The rather convoluted story with a proto-Alien involves an alien race first seeding (panspermia) planets and then destroying the life they produced. Scott, who is reputed to be an atheist, avoids many who resist creation with this ridiculous premise. Dan Brown’s novel Deception Point floats the same theory. The problem is, where did the aliens come from? So you may explain life on Earth, but not LIFE. The movie ends with Shaw (another strong female lead) and David flying off in our “creators'” space ship with a payload of the virus intended to destroy life on Earth.
Alien: Covenant begins with Weyland and the newly created David prior to the trip on the Prometheus. David is nearly human, reflecting his creator in a reflection of Adam’s creation by God in His image. We see glimpses of David’s arrogance after he plays Wagner’s Entry of the Gods into Valhalla. He wants to throw off his creator’s shackles.
The location shifts to the future, post-Prometheus, on the ship Covenant. It is headed to a far off planet to colonize it. During a recharging stop, an accident occurs which wakes up the ship’s crew and loss of life including the captain. Most of the 200 colonists are safe in cyro-sleep. and the 1,000+ embryos are safe as well. We are introduced to the new captain (a Christian or person of similar faith) as well as the original captain’s surviving wife. The captain is dogmatic in his orders, fearing they, like the company, won’t respect a man of faith. If there is a mistake to be made, this man will make it over the course of the movie. The grieving widow? She is the strong female lead similar to Ripley and Shaw. There is a new synthetic, named Walter, who looks like David and is also played by Michael Fassbender. Improvements have been made we learn by depriving him of David’s creativity.
While outside the ship performing repairs one of the crew is outside the communications’ buffer and receives a transmission. They soon discover it is a human being singing Country Roads by John Denver. Tracking the transmission they discover a closer planet that seems even more suitable for human life. With a crew afraid of cyro-sleep the captain decides to investigate, and so the fun begins.
There are a number of twists and turns in the film as we discover the ship that once carried Shaw and David, and a new way to “catch” the alien virus. So there is some novelty in the midst of the familiar. Now stranded on the planet, they are rescued by David and slowly discover what David has been doing since being stranded on this planet. Like man, he is a creation turned destructive seeking to destroy his creator. Apparently everyone hates humans in Scott’s universe. We discover that David has turned the virus which produced proto-aliens into the form of alien we see in the original films. We also see the Captain who fails to destroy David after his collusion with one of the proto-aliens, fall for the trap David sets for him so the alien we are all familiar with finally appears.
The movie has a shocking ending after Daniels and and Tennessee kill an alien that inexplicably shows up on the Covenant. The movie ends as it began, with Wagner’s piece playing. The gods have entered Valhalla to continue the quest to destroy humanity.
I thought is was a good movie with enough new material that it was not stale and predictable. It also had enough similarities that it felt like an Alien film rather than a generic science fiction thriller. Ridley Scott had to walk a tightrope similar to that of J.J. Abrams with the new Star Wars triology. It was not as good as the originals, but that is a high bar. It was certainly better than Alien III and Alien Resurrection (not difficult). Rather than being built around Ripley (Signorney Weaver) this series of movies is built about Michael Fassbender even though they have a different strong female lead in each film. It is not as confusing as Prometheus and more enjoyable.