Considering Duguid on The Song of Songs, Part 1

About 4 years ago I taught a SS lesson on The Song of Songs. One of the resources I used was Iain Duguid’s new (at the time) commentary on the Song in the Tyndale Old Covenant Commentary series. It was one of the more helpful commentaries I used. At the time, there was also notice of his Reformed Expository Commentary series volume on the Song. I had hoped it would come out in time, but it hadn’t.

When the volume was finally published, I bought a copy. While on vacation/study leave I decided to read for reasons I’ll lay out in the follow-up post.

The Reformed Expository Commentary series is rooted in expository sermons on the subject at hand. They are a popularization, so to speak, of the material he presents elsewhere. He’s making it accessible and applicable to his congregation. So, in addition to some background and linguistic material there is a focus on application not as readily found in his commentary.

In his preface, Duguid notes that this was the first sermon series for the church he planted in Philadelphia. In addition to being a professor he has also planted churches near the schools in which he’s taught. When we re-started our church in FL eons ago, we had been in Ephesians and I decided to begin our newly renamed and relocated congregation with a series on marriage which would end up in Ephesians 5 where I’d left off. I thought it would be an “attention getter” in the flyers we handed out. It got no one’s attention, apparently. But Christ Presbyterian Church in Philadelphia is still going so it was moderately effective for him.

The Introduction covers issues of interpretation. This seems shorter than in his TOTC volume, which is understandable. It is Hebrew poetry and this must be taken into consideration when interpreting the text.

“Poetry is the art of condensation: expressing maximum meaning in the minimum number of words. … Poetry tends to be open ended, leaving us pondering and wondering rather than tying up every loose end with a watertight argument.”

As a result, what it means is not always very clear especially due to the great distance in time and culture. There are plenty of times you need to toss out caveats and address varying interpretations.

He briefly discusses and rules out the allegorical method which so many reject in every book of the Bible except this one. An allegory is typically a story in which everything represents something else. Pilgrim’s Progress is an allegory. There was no real Christian and all that transpired was intended to be a picture of the Christian life. There are lions, giants and more that represent something else. In the case of The Song of Songs, this is to avoid discussion of … sex. This is because we somehow think Christians should not talk about the beauty of sex. Or something like that.

The way many Christians who use an allegorical interpretation for this book makes it incomprehensible for the original audience. The original meaning is not about God and His people. Duguid sees The Song as a love poem which does have a typological function in pointing us to Christ and the Church (iow God and His people). There is an original meaning with application to people about marital love which must be reckoned with first.

He also addresses the issue of Solomon. You really have to stretch things to make Solomon the hero or the Beloved. Solomon is viewed as a contrast to the Beloved. He has many wives and concubines and cannot know them like the man and woman here know each other.

“For these reasons I take the Song of Songs to be a poem by an unknown and anonymous author about two idealized people, a man and a woman, whose exclusive and committed love is great but, like all loves in this fallen world, is far from perfect. … Thus, the Son is designed to show each of us how far short of perfection we fall both as humans and as lovers, and to drive us into the arms of our true heavenly Husband, Jesus Christ, whose love for his bride is truly perfect.”

This is the understanding behind these twelve sermons that work through the Song. He speaks often of romantic love as friendship on fire. The Song begins before marriage as they express their longing for on another but also maintain boundaries. In many ways it was counter-cultural in that it begins with her desires and longings. She is interested in him physically, not just emotionally. She is neither a feminist nor a traditionalist. She communicates her desires, and those include him providing leadership and direction. She wants him to kiss her, but isn’t kissing him first.

One of the things that Duguid stresses often is the connection, in the Song, between sex, marriage and children. This couple wants to possess one another, when the time is right, and sees its logical and desired end in having children together. He also stresses the role of family and community that is found in the Song. At times it is negative (like her brothers) but also often positive.

The Song functions to correct our fallen views of sex and relationship. Each culture should experience correction. While, for instance, purity is prized here it is not an idolatrous pursuit as can often happen. Duguid explains this in terms of beams and bombs. We find sturdy beams of truth upon which to build a biblical worldview, and bunkerbusting bombs that explode our false notions and worldviews. The Song reminds us that we need to positively teach the good things God says about sex, including in the Song. Duguid reminds us that one of Satan’s biggest lies is that God is a cosmic kill-joy and that His law is repressive rather than the law of love and freedom. God designed our bodies to enjoy sex. On the other hand, our desires are disordered so not all we want to do sexually is good and conforms to God’s law.

He speaks much about purity. We see the couple refusing to act on their desires until they are married. They still have desires for connection that are person specific. Purity is not simply a good unto itself. We can make an idol virginity losing sight of it as a faithfulness designed to minimize our sexual baggage that disrupts and corrupts the marriage bed. We are mirroring His fidelity to His people.

In his application Duguid regularly addresses single adults and those struggling with same sex attraction. The Song is for them too, as God re-orders their disordered desires (however slowly at times) as well as pointing them to Jesus.

The twelve chapters bring us from the awakening of their love to marriage, the reality of struggles in marriage and ending with the power of love. While the Song is not a relational handbook, it does teach much about fidelity and passion in a love that moves toward and continues in marriage. Duguid applies this in chastising those who put off love for careers when in reality love finds us at unexpected times. Putting off marriage at the height of sexual desire sets many up for failure. Yet neither should we make an idol of marriage as if it will satisfy. No one person can meet all our needs. The limitations of human love are intended to drive us to Jesus, not serial monogamy. Or polygamy/polyamory.

Love is powerful, as the Song warns us. It can make us crazy. There is the repeated warning not to arouse or awaken love until it is time. We can’t give full reign to our desires until the right time and context.

All in all this is a great book. Because it is a series of sermons the focus is on the relationship between them and our relationship with God. It is a volume I’d recommend to the single adults in my life so they can develop godly and realistic expectations. He dispensed plenty of wisdom without trying to advance the norms of some bygone culture. He brings us to Jesus in each sermon (providing great examples of Christ-centered sermons). I appreciate this book as a pastor & preacher, husband & father.

In part 2, I will compare this expositional commentary with his other commentary. I’ll try to see the differences in how he handles the text for those different audiences.

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Considering The Song of Songs (TOTC)

Over the last year or so I’ve read a number of commentaries on The Song of Songs. Some of them have been good, and helpful (Gledhill & Longman), and some were not so helpful.

Like Revelation (no “s” at the end) it is very difficult to interpret with the underlying principle making a huge difference. Various commentaries view the Song as a drama (literal interpretation), an allegory, and a collection of love poems seemingly w/out structure.

Tyndale is updating their OT commentary series. This includes presentation or format (context, comment & meaning). I’m not sure I want to see some of those volumes replaced. In the case of the Song of Songs, they just released a new version by Iain Duguid. Based on his previous work, I knew I should get this and read it before teaching the Song in SS this year.

I have one complaint: it is way too short. Of course it is a Tyndale commentary so it will leave you wanting more. Thankfully an expositional commentary by Dr. Duguid will be forthcoming.

I don’t usually enjoy introductions for commentaries. I enjoyed this one, and found it quite helpful. Duguid approaches the song as wisdom literature. This is slightly more complex than it sounds. Throughout the book he notes words and concepts the Song has in common with Proverbs. Part of its message is a contrast with Solomon’s view of love and marriage (hundreds of wives and concubines). He often notes particular poems, but seems to also see them telling a story instead of disconnected poems. In the meaning section he ties it in to our relationship with Christ. He doesn’t do this in allegorical fashion, but by remembering that earthly marriage is intended to point us to Christ and the Church (Eph. 5). Allegory skips over the earthly marriage part.

There were some very helpful comparisons and contrasts. He reveals some of the parallels within the book: thematic and structural.

In the introduction he notes that at times one’s interpretation says more about you than the text. This is in reference to the sexual imagery. Some commentators see nearly everything as a sexual euphemism. Duguid is a bit more reserved. While not denying sexual imagery, he doesn’t find it everywhere like, say, Longman.

This was a very helpful little volume. It is able to be read quickly due to its size. It is hard to find that balance between detailed enough to be very helpful and so detailed it becomes laborious to use. While at times I wished for more, I was not so inundated with data and ideas that I felt lost. I shall now have to go back over my curriculum and update it, possibly changing some of my conclusions. No study of The Song of Songs can be complete without this great little volume. In this case updating the TOTC was a wise choice.

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Considering Calvin and the Sabbath

At the beginning of his book, Calvin and the Sabbath, Richard Gaffin notes that everyone seems to make use of a quote from Calvin to support their view of the Sabbath. The subtitle helps us understand the quandary: The Controversy of Applying the Fourth Commandment.

This volume is a re-working of Gaffin’s Master of Theology thesis under John Murray at Westminster Seminary many years ago. This means it is not written at a popular level. Most of us will have to concentrate to track with Gaffin at times, and there will not be any interesting stories to help us understand a point. It is still an academic work.

Gaffin’s procedure is pretty simply. He begins with some background to the controversy before examining Calvin’s Institutes of the Christian Religion and some catechisms. Gaffin compares different editions of the Institutes as well. He then examines exegetical writings (his commentaries) and sermons. He then includes other Reformers and some of the Reformation Creeds to show a similarity of thought on the issue.

“First, widespread disagreement as persisted about what Calvin meant where he has expressed himself concerning the Sabbath.”

As you read you can see how it is that people can latch on one aspect of what Calvin says to support so many views of the Sabbath and its application to our corporate and personal lives.

In the background material Gaffin summarizes the main theories regarding the Sabbath or Lord’s Day.

1. The Antinomian View. This began with the Anabaptist movement during the Reformation which had a sharp antithesis between law and gospel. It argues that Christ fulfilled the law for us and we no longer have an obligation to keep the ten commandments. To fulfill this command would be to contradict the NT teaching regarding there being no distinction of days and seasons (Rom. 14 & Col. 2).

2. The Seventh-Day Sabbatarian View. Gaffin notes that this view also appears among 16th century Anabaptists. While Christ fulfilled the law for us, Jesus didn’t abolish the law and we keep it out of faith, love and gratitude.

3. The Ecclesiastical or Dominical View. This cluster of views hold that the Sabbath  has its origin in the Mosaic covenant and therefore was strictly for the Jews, not for Christians. The end result is the same as the Antinomian view, but the rationale is quite different. This has been the dominant view in Anglican churches.

4. The Sabbatarian View. This focuses on the Sabbath as a creation ordinance from Genesis 2. The Mosaic regulation of the Sabbath is not binding on us but was for Israel, yet the creation ordinance remains. This view was argued by many of the English Puritans.

On the eve of the Reformation the western church was overloaded with feast and fast days which were required to be celebrated as part of the sacramental system essential for salvation. The Reformers were not only dealing with the Scriptures but also their own historical context. We do best to keep this in mind. At times Calvin is arguing against the view of Rome. At other times he is arguing against the Antinomian Anabaptists. When we forget this we tend to see him as contradicting himself instead of addressing a different series of errors. This, in part, is why Gaffin wants to look at all of Calvin’s writings to get a more comprehensive understanding of Calvin’s view.

We could summarize Calvin’s view as Gaffin does in a number of places.

1. The weekly day of rest which Israel was ordered to keep by the fourth commandment fulfilled three distinct functions.

a) It was a promissory sign, typical of the spiritual rest from sin which God would one day give to his people.

b) It provided a day for public assembly, a stated time for hearing the law and offering sacrifices.

c) It provided a day of rest from toil for slaves and servants.

2. At the first advent of Christ, culminating in his death and resurrection, the Sabbath ceased to function as a type. The spiritual rest promised to Israel by the weekly day of rest, has become a full reality. Christians now enjoy that rest on every day of their lives. In this sense, as a type of spiritual rest, the Sabbath has been abrogated and should no longer be observed.

3. Although the typical character of the Sabbath no longer exists, the other two functions of the Sabbath given to Israel are still in force.

a) The fourth commandment requires the public assembly of the church … Which day of the week is set aside for this assembly, whether one or more, is a matter of indifference.

b) The fourth commandment requires that rest be given to those who in their labors are subject to the authority of others.

4. The fourth commandment must always be seen in its context, that is, as part of the Decalogue, which applies to all people in every age.

There, you got that? The commandment is still binding, but the typological function of the command has been fulfilled in Christ. What remains, basically is a spiritual rest from sin, the need for public worship and the provision of rest for those under authority. This view would be different from the way the Westminster Divines expressed our responsibility in a way very similar to its Mosaic expression. This presents a tension in denominations like my own which holds to the Westminster Confession of Faith and yet holds Calvin in high esteem with many pastors embracing his view (as they understand it).

“Here Calvin shows himself, despite undeniable and decided differences in theological rationale for observing the Lord’s Day, to be remarkably close, in practice, to later Puritan views, like those given confessional status in the Westminster Confession of Faith.”

Calvin’s view would not appear to undermine the system of doctrine in the Westminster Confession. He upholds it as part of the moral law which still abides, but differs on how to apply it.

Yet, I still experience some cognitive dissonance with Calvin’s view. I also experience some with regard to the view of the Confession (I did take an exception). In other words, neither view completely expresses my own view which even I struggle to express. This is because in some ways my views are still “cooking” or developing. I think of it like a stew that needs time for everything to come together.

Gaffin, in his evaluation of Calvin’s view, puts his finger on some of the areas of dissonance for me. First, his understanding of the Sabbath as spiritual rest for everyday seems deprive it of it’s place in the Decalogue. He quotes Edwards as one who recognized this: “And if it stands in force now only as signifying a spiritual, Christian rest, and holy behavior at all times, it doth not remain as one of the ten commandments, but as a summary of all the commands.” In other words it no longer stands alone and doesn’t really command anything in particular. It “merely” summarizes the many other commands to flee sin and pursue godliness.

Second, Calvin does not seem to fully appreciate the Sabbath as creation ordinance. Calvin sees the Sabbath within the context of sin. As a creation ordinance it has bearing on man as man, not only as sinner. He doesn’t seem to do justice to the concept that as made in the image of God I not only work, but rest as God does. I need rest as man, not only as sinner. “The meaning of the Sabbath institution prior to the fall seems not to have crossed his mind.” This is a big weakness in Calvin’s view. This also affects how he views work, or at least how he expresses his view of work. Work is good! But we cannot only work, even if we recognize work as worship.

Gaffin also notes that we lose the full eschatlogical significance of the Sabbath when we do this. Typology, Gaffin argues, is present in every aspect of creation. It points us to the new heavens and earth. We cannot enter into the rest that awaits unless we are in Christ, but also until we have completed the tasks appointed to us like Adam. We are only able to complete those tasks because we have been redeemed by Christ, and those works have been prepared for us beforehand (Eph. 2:10 for instance).

Sabbath as creation ordinance also reminds us that this regular rest, which prefigures our ultimate rest in Christ, is for all people everywhere. They suffer when they do not rest. As Gaffin, and one of my professors notes, they do deserve to suffer so since they are in rebellion. Yet, we should offer them rest as a common grace for the benefit of society.

“Faithful and joyful Sabbath-keeping, we should not forget, is among the most concrete ways for the church to witness to a world full of turmoil and unrest, as never before or at least as much as ever, that there does indeed “remain a rest for the people of God” (Heb. 4:9).”

This is an important book to read, but not always an easy book to read. Anyone wrestling with the Sabbath should include this volume as part of their study. It will be worth the investment of time and mental energy.

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Considering the Song of Songs

I’ve decided to commit career suicide. Okay, that is a bit extreme. I’ve done a SS class on Revelation. There are just some books of the Bible that should be tackled in a Sunday School setting instead of a sermon series. I couldn’t imagine preaching on Revelation. There are some parts that I haven’t settled on in terms of their original meaning. A Sunday School course allows you to offer up various viewpoints and not necessarily commit to one. I did approach the course with a mix of partial preterism and idealism. I think both are far more helpful than the historicist and futurist views. But some passages just seem to defy all categories.

The Song of Songs is another one of those books that is best done in such a setting but for different reasons. The content is more appropriate for an adult audience. I’m amazed at how anachronistic some approaches to the book are. They despise a more literal approach. I think the book is a series of love poems (not a sex manual or relationship guide). They do have a typological function pointing us to our relationship with Christ, but we must be careful not to eroticize that. It does have plenty of references to sexual activities in veiled fashion. As a part of the canon, it points us to a redeemed, or holy, sexuality. Much of the Scriptures offer warnings about our disordered sexuality. This is largely a re-ordered sexuality. Not perfectly though.

Here is what I’m using:

Song of Songs by Tremper Longman III in the New International Commentary on the Old Testament Series. This is rated as one of the top commentaries by Keith Mathison and Tim Challies. The opening chapter, which focuses on a history of interpretation, is very helpful in setting the stage for the study.

The Message of the Song of Songs by Tom Gledhill in the Bible Speaks Today series. It also appears on Challies’ and Mathison’s lists. I wasn’t too impressed with the chapter covering introductory matters. It did make some good points about the danger of removing the veil so to speak. People will have to be careful with what they learn and hear lest they plunge themselves into sexual sin by obsessing on something. This is something Mark Driscoll should have paid attention to.

Song of Songs by Dennis Kinlaw in The Expositor’s Bible Commentary. I bought the volume for the commentaries on Psalms and Proverbs by VanGemeren and Ross respectively. I have yet to begin reading this. I’d better get on that!

Solomon on Sex by Joseph Dillow. Yes, the Song is not a sex manual but there may be some helpful material in there. I know I liked during my counseling coursework. It has been hidden in notebooks for years and has finally been unearthed. This is out of print and difficult to find. We purchased a photocopied version for our coursework.

Communion with God by John Owen. I read this years ago and remember that he refers to the Song quite a bit. It is not a commentary on the Song. I’ll pretend it functions typologically for my purposes.

Discovering Christ in the Song of Solomon by Don Fortner. Don and I will not agree on much. He uses an allegorical interpretive method, making it about Christ and the Church directly. There is no “original meaning” and then seeing it through the lens of Christ. He jumps right to Jesus. I can tell there is much that is true, but that is not what the text (in my opinion) is saying. There are some statements that I would deem dangerous or controversial. For instance, he takes her statement “I am black and comely” to mean she is both sinner and saint. I find equating black with sin to be troubling. I don’t recall any other portion of Scripture doing this.

Perhaps I’ll be back to update this when I’m done. I can only read so many books to prepare for the lessons without driving myself insane. I read far too many on Revelation (lesson learned!).

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Considering Melchizedek

A recent sermon was on Abram’s encounter with the mysterious Melchizedek.  Since it was a sermon, I just briefly mentioned that he was a man who was a type of Christ.  He was not, as some have thought, the pre-incarnate Son of God.

I had a question about that.  I did some more research, particularly on the Hebrews 7 passage at the crux of the issue.  I also went back to my unpublished work on the priestly ministry of Jesus.  Here’s what I said there (sorry the footnotes are incomplete):

The author then begins to explain what he meant all the way back in chapter 5.  He feels compelled to remind them of who this man was since he is such a mysterious figure.  Who he was has been greatly discussed over the course of history.  There has been no limits to the speculation some have engaged in.  We do well to heed Turretin’s warning about “the silence of Scripture imposing silence upon us here in a certain manner and checking our curiosity.”[1] We will find by the way the Apostle describes him that he never thought that Melchizedek was the pre-incarnate Christ as some have supposed.  Neither are we to suppose that he was actually the Holy Spirit, or Shem, the son of Noah.

This man, at the time of Abraham, was a king of what was probably Jerusalem[2].  In addition to his duties as king he was also a priest.  In the midst of great paganism we find a priest to the Most High God, Jehovah.  Like Abraham, Melchizedek was a worshipper of Jehovah.

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Considering the NT’s Use of the OT

A recent theology exam included questions about the teolology and methodology of the Apostles’ use of the Old Testament in the New Testament.  The candidate agreed with their Christological  goal, but had some criticisms for their methodology.  This issue is part of the controversy over Peter Enns’ book Inspiration and Incarnation.  His srgument in the book created quite the stir, resulting in his leaving Westminster Theological Seminary.  Enns and Bruce Waltke state their respective cases on the matter in the lastest issue of WTJ.

Good for us, Dr. Roger Nicole’s 1958 article New Testament Use of the Old Testament is now available online.  He addresses the range, authority and accuracy of the New Testament usage of the Old Testament. Dr. Nicole helps us to understand that we should not hold the New Testament authors to the standards of a doctrinal thesis.

Personally, I’m uncomfortable with criticism of how the Apostles used the Old Testament.  That is because I affirm the dual authorship of Scripture.  It is divinely inspired (2 Timothy 3:16), and God used real people in a way that they wrote in accordance with their personality, culture and circumstances.    This means that one cannot criticize the human authors without also criticizing the Spirit of Christ who inspired them.  That same Spirit inspired the original OT Scriptures which had an original meaning and a greater fulfillment in Christ.  The OT, in addition to having an original meaning, often has a typological function.  This explains why some verses seem to be taken out of context.

But who cares what the Cavman thinks- read Dr. Nicole!

HT: Between Two Worlds

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Considering Gospel-Centered Hermeneutics Part 3

Non-sermon related reading has fallen off the grid the last few months.  I feel like I’ve been reading this book for the better part of 6 months.  Not quite, but I have finally finished Graeme Goldsworthy’s Gospel-Centered Hermeneutics: Foundations and Principles of Evangelical Biblical Interpretation.  I already reviewed the first 2 sections which dealt with the basics of interpretation and his argument for a gospel-centered hermeneutic, and how various methods of Bible interpretation have eclipsed the gospel throughout church history.

The final section, Reconstructing Evangelical Hermeneutics, was the most difficult for me to read.  At times he covered areas of philosophy with which I was unfamilar.  So, I was occasionally thinking ‘huh?” (particularly speech-act theory).  But it was still profitable at times, just not as profitable as the previous 2 sections.

Among the areas that were helpful were his discussion of typology, and Dr. John Currid’s criteria for true typology.  This criteria is affirmed by Keller & Clowney in the DMin course available through RTS on I-Tunes.  He was also helpful in discussion contexting (his simpler term for contextualization).  The missionary mandate, as he argues, mandates this.  He also includes a chapter on the interaction and relationship between biblical and systematic theology.  He talks a great deal about how both Calvin and Luther viewed Bible interpretation, and the role of the Spirit (particularly Calvin on this front)

His Epilogue contains a few good quotes to sum all this up:

Hermeneutics is about reading God’s word with understanding so taht we might be conformed more and more to the image of Christ.

The purpose of God’s word is to bring us to God through the salvation that is in Christ.  It does this by revealing his plan and purpose, by conforming us more and more to the image of Christ, and by providing the shape of the presence of God with his people through the Spirit of Christ.

So, pastors and those who regularly teach God’s people should find Goldsworthy’s book helpful as we seek to fulfill our calling.  As the ancient children’s song says, “take up and read.”

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Considering Gospel-Centered Hermeneutics Part 2

The second section of Graeme Goldworthy’s book Gospel-Centered Hermeneutics focuses on Challenges to Evangelical Hermeneutics.  In this section he is essentially tracing the history of biblical interpretation with an eye to the way the gospel has been eclipsed in various times and methods.

This is no easy matter to accomplish since we are talking 2,000 years here.  Some of the issues involved are very heady (intellectual) as well.  As a result, some things may have gotten generalized or flatted.  But, who wants to read a 900 page on hermeneutics (okay, there are 3 of you out there).  It was adapted from his class on the subject, so summarization is a key thing to keep in mind.

The early church wrestled with allegory and typology.  There are proper, and improper, ways to deal with them.  Many a heresy has been developed through the use of allegory.  What he says here is helpful:

• While typology looked for historical patterns in the Old Testament to which Christ corresponded, allegory was based on the accidental similarities in language and concepts.
• Typology was dependent on the historical interpretation, while allegory was not.

While discussing the medieval church, he mentions Peter Lombard whose interpretative method sounds very similar to that used by many dispensationalists today “The promises in the two Testaments also differ in that those of the Old Testament are earthly and those of the New Testament are heavenly.”   Goldsworthy also traces Aquinas’ grace-nature dualism which became the standard Roman Catholic hermeneutic after the Reformation.  It is semi-pelagian at best.

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